Hey, Old Friend

What is a theatre writer’s best friend and worst enemy?

You might think: Writer’s block? The blank page? Technology? Caffeine? Sleep? Outlines? All good possible answers, but…nope. What applies only to theatre writers and to no other form of writing?

Readings.

DUN DUN DUN! *Insert dramatic zoom here*

But why, Michael? Why are readings both potentially wonderful and oh-so-evil at the same time?

An excellent question.

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Shut That Window 'Cause...

…it’s getting DRAFTY IN HERE!!

Yes, okay, I hate myself just a little bit for that one too. But I thought it was cute. Anywho…

Today I want to talk about the [grueling] process that is drafting. And I don’t mean in a graphic design sense (drawing is not a strength of mine). I mean it more in the sense of: sitting down to write a thing that you’ve been thinking about for a long time and have really wanted to write but haven’t had the time and/or motivation to do so but you’ve finally found the time or at least have now cleaned the entire apartment four times and done your taxes and solved world hunger so I guess now there’s nothing left to do but actually write the thing which you should want to write anyway since it’s your passion and you chose to do this with your life so why are you stalling oh wait Facebook is calling and oh look that rhymed and so I can get into a pointless argument with someone whose face I can’t see instead of forcing terrible first draft dialogue on unwitting characters oh wait they blocked me so I guess I really do have to write now. Darn.

You know. That kind of a sense.

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