In Review: "Oklahoma!"

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In Review: "Oklahoma!"

The first time I saw Oklahoma! live was at the Stratford Shakespeare Festival in Ontario, Canada (in 2006?). I remember turning to my parents and saying:

“That was fantastic, and they really didn’t stray away from the dark part of the show. I don’t think I ever need to see this show again!”

All of this to say that, when the recent St. Ann’s Warehouse production of Oklahoma! first caused a stir at the Warehouse and then again in its move to Circle In The Square, I did not feel the need nor desire to run to see it. I had seen it onstage twice, plus the two filmed versions, and how different could it really be?

So I waited…until last weekend. The second-to-last performance. (How’s that for procrastination?!)

So, was it all that different?

Well, no. But yes? And also really no.

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Do You Hear What I Hear?

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Do You Hear What I Hear?

(And don’t worry, I’m not talking about the Christmas song.)

Sound is a very powerful thing. It surrounds us at all times, and yet how often are we paying specific attention to those sounds?

Sound can be music of course, but it can also be created by a billion other things:

  • Objects (doors closing, printers printing, squeaky floors, keyboard clicks, etc.)

  • People (unintelligible chatter, direct conversation, whispering, yelling, sneezing, etc.)

  • Actions (vehicles on the road, steam from a radiator, glass breaking, etc.)

  • Reactions (fires crackling, the frying of an egg, stomachs digesting food, etc.)

  • And more

And because of this pervasiveness of sound in our lives and its ability to recall in us specific thoughts, images, and emotions, sound is an excellent way to create an environment and to tell a story.

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