*And* I Have To...What?

We often ask a lot of our performers - and directors, designers, and everyone else of course as well, but this post is performer-focused.

We especially ask a lot of our performers in a summer stock rehearsal setting.

But sometimes we ask for even a little more.

Perhaps you have a special skill that the director would like to include in a show. For example: you play an instrument, you tumble, you’re a gymnast, you can juggle, you can do impersonations…or a thousand other possible talents.

And then there are shows that ask for even more than a little more, and to do it all in 8 days.

And that, my friends, is the zany, fast-paced romp that is Murder For Two at Bristol Valley Theater!

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Summertime, And The Livin' Is Easy...

Well, folks. For me, summer has now officially arrived!

Hooray!

I am now settled into Naples, NY for a three-show contract that will take most of my summer between June 1st-September 1st! (There will also be a little vacation and a week-long teaching contract thrown in the middle there as well!) And it’s all going to be super fun and not crazy or exhausting at all!

…Right?

Well, not quite. It’s all extremely exciting, but it will be incredibly busy as well!

So let me tell you a little about the exciting parts while I have your attention! :-D

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Stress? Psh! Injury...? Why Would You Even Say That?!

Let’s have a brief conversation - one-sided, of course, since this is a blog post :-) - about stress and physical injury in the theatre.

This is a topic that most artists - performers in particular - avoid, and for a few reasons:

  1. Injury is scary and no one wants to think about it.

  2. Everyone has stress and no one wants to look like the “complainer.”

  3. Injury has become stigmatized as something shameful.

  4. We wear our stress, and ability to handle it, as a badge of honor.

There are others as well, but I generally see these as the biggest reasons this topic is avoided. People don’t want to talk about these things, but if we don’t talk about them they become these big scary monsters that we hope we won’t have to endure.

But we do.

Stress and injury will affect everyone at some point, so let’s just talk about it.

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God I Hope I Get It

Audition (noun) - A necessary, and often grinding, step to acquiring a theatre performance job, which some actors love, many actors hate, and everyone else is relatively indifferent to

*Warning: This post is geared mainly toward the actor-folk and those interested in the audition process!

Last week I found myself once again in an audition room - this time behind the table, which was a lovely change! Generally speaking, whether or not I am part of the casting team, I’m hearing/viewing auditions on a weird side angle from the piano. So this was a lovely little treat!

Over my years of taking classes and workshops on “THE AUDITION” I have certainly learned many things about the audition process, and particularly about myself as an auditioner. But there is no better way to learn the ins-and-outs, dos-and-don’ts, and [other-cliched-phrases] of auditions than to sit on the other side of the table and observe with non-actor-oriented eyes/ears.

So, here are some of the things I’ve learned about auditioning.

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As We Stumble Along...

This week I had the pleasure of being part of the first NYC externship for my Alma Mater’s brand new, and now fully developed, Musical Theater Program. I had the chance to work with some lovely SUNY Geneseo Juniors and Seniors in a new musical theatre workshop - an entirely new experience for all of them - and attended the first ever Senior Showcase. The talent was wonderful, the interactions were lovely, and the entire experience got me thinking…a dangerous pastime, I know.

As a part of the workshop I had to essentially explain to the students who I am, what I do, how that’s relevant to Geneseo, and how I got to where I am. And you know what? That was much more difficult than I expected.

At this moment in my career, these are the titles that I can, and generally do, give myself:

Composer-Lyricist/Librettist (technically 3 titles?)

Performer (Musical and non-Musical Theatre)

Musical Director

Vocal Coach

Accompanist (I do this less often)

Arranger/Orchestrator (though mostly my own material these days)

One of the Geneseo students said “You do so much!” and I guess that’s true. But I think the better question is, how the heck did I learn to do all of these things?

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Hey, Old Friend

What is a theatre writer’s best friend and worst enemy?

You might think: Writer’s block? The blank page? Technology? Caffeine? Sleep? Outlines? All good possible answers, but…nope. What applies only to theatre writers and to no other form of writing?

Readings.

DUN DUN DUN! *Insert dramatic zoom here*

But why, Michael? Why are readings both potentially wonderful and oh-so-evil at the same time?

An excellent question.

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No Rest For The Wicked

(…and I’m not talking about our green friend over at the Gershwin!)

January 2 - March 10:

  • 67 Days

  • 3 Days Off, working 7 Days/Week

  • 2 Shows as Musical Director (Bring It On, Legally Blonde) and starting a Third (Rent)

  • 5 Casts (Bring It On) over 2 weekends

  • 70+ Cast Members (Legally Blonde)

  • 33 Weekly Voice Lessons and 3 Classes (regular work schedule)

  • I Repeat - 3 Days Off

March 11 - April 14:

  • 34 Days

  • 5 Days Off, working 6 Days/Week

  • 1 Show as Musical Director (Rent)

  • 2 Casts over 1 weekend

  • 33 Weekly Voice Lessons and 3 Classes (still)

  • I Repeat - 5 Days Off

For those of you playing at home, that means in the first 101 days of 2019, I am scheduled to work for 93 of them with a total of 8 off days.

We need to discuss work and overwork in the artistic world.

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Sometimes I'm Down, and Sometimes I'm Up

New Year. A time of celebration, reflection, planning, and new beginnings…right?

For some people, I do believe that is the case. But it’s not the case for everyone, myself included.

Personally, I’ve never really been a fan of New Year’s Eve and all of the traditions that go with it. It seems a bit much to party and eat and drink so close to the holiday break, and the idea of “resolutions” always gives me a feeling of dread like I’m just going to fail all my new endeavors. Perhaps not the best head space to enter into a new calendar year with.

So what to do?

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"But I Can't, I'm So Busy!"

Busy-ness (not to be confused with the Business) is - if everyone is to be believed - the Number 1 Cause of Nothing-Ever-Happening. That’s right, simply being busy.

But Michael, everyone I know is busy. I mean, I know I’m busy. All the time!

I hear you and I understand what you’re saying, but I’m going to let in you on a secret that I was given which has truly changed the way I think about time and productivity. You ready?

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"Survival Is Paramount!" ***DUN DUN DUN***

Alright, a touch dramatic, I agree. But it’s true, isn’t it? We really can’t pursue any kind of career or interest if we aren’t living. So perhaps the drama is warranted?

Okay, let’s see. What are we told as children are the basic needs for survival?

Food. Water. Shelter.

And in order to acquire these things in our modern society, we require money. Which means jobs.

***HOORAY!!! PEOPLE ARE GOING TO PAY US FOR THE ART WE LOVE TO CREATE AND THEN WE CAN JUST AFFORD TO LIVE AND CREATE ART AND BE HAPPY!!!!*** Wait, no? What do you mean, “no”? I have to get a what?

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Why-Oh "The Glamorous Life"?

Ah, the Glamorous Life: The picturesque life of the Theatre Artist living their dreams in the Big City. Fun, Freeing, and Fulfilling! Right?

Well, sometimes.

As amazing as spending your life doing what you love can be, there’s so much more that comes along with living as a full-time theatre artist. And most of it is rarely or never talked about! Sometimes it’s Glitz and Glamor, but other times it’s Rejection and Ramen. So why not discuss it all?

Join me as I explore the everyday, behind-the-scenes, and real life stories of what it takes to make this journey happen. From the triumphs and joys, through the mundane and taboo, to the sorrows and frustrations. What is it like to live as a theatre artist? What kind of unique experiences do you have? What is the good, the bad, and the could-really-use-a-touch-up? Read, watch, subscribe, and come find out!

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